Critical opinion of the film on initial release was mixed as many reviewers at that time looked down on spaghetti westerns. Roger Ebert, who later included the film in his list of Great Movies, retrospectively noted that in his original review he had "described a four-star movie but only gave it three stars, perhaps because it was a 'spaghetti western' and so could not be art". Ebert also points out Leone's unique perspective that enables the audience to be closer to the character as we see what he sees:
| “ | Sergio Leone established a rule that he follows throughout The Good, the Bad and the Ugly. The rule is that the ability to see is limited by the sides of the frame. At important moments in the film, what the camera cannot see, the characters cannot see, and that gives Leone the freedom to surprise us with entrances that cannot be explained by the practical geography of his shots. There is a moment, for example, when men do not notice a vast encampment of the Union Army until they stumble upon it. And a moment in a cemetery when a man materializes out of thin air even though he should have been visible for a mile. And the way men walk down a street in full view and nobody is able to shoot them, maybe because they are not in the same frame with them.[14] | ” |
Today, the film is regarded by many critics as a classic. It remains one of the most popular and well known westerns and is considered to be one of the greatest of its genre. It was part of Time's "100 Greatest movies of the last century" as selected by critics Richard Corliss and Richard Schickel. In addition, it used to be one of the few films which enjoyed a 100% certified fresh rating on Rotten Tomatoes, although the rating has since been changed to 98% due to the inclusion of a single negative review by Time Magazine on February 9, 1968.
In a 2002 Sight & Sound magazine poll, Quentin Tarantino voted The Good, the Bad and the Ugly as his choice for the best film ever made.
Empire magazine added The Good, the Bad and the Ugly to their Masterpiece collection in the September 2007 issue and in their poll of "The 500 Greatest Movies", "The Good, the Bad and the Ugly" was voted in at number 25.
http://en.wikipedia.org/wiki/The_Good,_the_Bad_and_the_Ugly
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Coincidência.
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http://portal.rpc.com.br/gazetadopovo/cadernog/conteudo.phtml?tl=1&id=872009&tit=-beira-do-abismo
À beira do abismo
Morria há 50 anos o escritor Raymond Chandler, que viveu nos estúdios de cinema situações tão complicadas quanto as de seus romances policiais
P
ublicado em 29/03/2009 | Roberto Muggiati - Especial para a Gazeta do Povo
Aquelas revistas baratas tipo X-9 e aqueles filmes-B em preto-e-branco na época eram tidos como simples lixo. Foi preciso um acadêmico francês criar a Série Noire e os garotos da nouvelle vague inventaram o rótulo film noir, para que eles ganhassem um upgrade: primeiro para “cultura popular” e, depois, para a Arte, na categoria dos “clássicos”. Raymond Chandler, que se destacou como autor de “policiais” a partir de 1933, é considerado hoje um dos maiores romancistas (sem rótulo) do século 20.
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